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"Yes, I do. And if you look a little farther, ought she to sacrifice the happiness of the man who loves her, in addition to her own?"
Well, thin she wint to bed, and I belave slipt sowndly, for her cheeks were pink as roses in the marning, and her eyes brite and luvly.
One clawing hindfoot found toe-room in a flaw of rock. A tremendous heave of all his strained muscles; and Lad was scrambling to safety on the ledge.
The girl hesitated a moment, then her features lit up with a pleasant smile of recognition. “I had forgotten your name but I have told Themistocles many times of your bravery.”
"Indeed," Hartford agreed. "But how do I prove to the troopers that the monad sweeps Kansas cleaner than their Barracks floors?"
"Go ahead." The Aga Kaga kicked a couple of cushions onto the floor, eased a bottle from under the couch and reached for glasses.
“But yes. They are arrested.”
The air-car topped a rise. The Chef dropped his cigar and half rose, with a hoarse yell. A herd of scraggly goats tossed their heads among a stand of ripe grain. The car pulled to a stop. Retief held the Boyar's arm.
“Of course black bearded man was not Havering only you or Japp would have such an idea wire me description of housekeeper and what clothes she wore this morning same of Mrs. Havering do not waste time taking photographs of interiors they are underexposed and not in the least artistic.”
1.the police, and a moment later the police themselves moved into view.
I was not long in finding out. A young Englishman resident in Berlin, and obviously deeply saturated with the German spirit, wrote to me to say that, in his opinion, Fried was the only man in Europe to fill the post that Dr Richter had vacated as conductor of the Hallé Concerts Society in Manchester. The letter arrived at a time when various musicians were being, as it were, “tried” as conductors of the Hallé Concerts, and my unknown correspondent was anxious that Fried should be invited to conduct one or two concerts. To this letter I sent a polite but non-committal reply. I knew Oskar Fried’s name just as I knew the names of a dozen pushing German conductors; but I knew no more. My persistent correspondent, to whom I will give the name of Purvis, wrote again, sending me a typewritten copy of a book he had written on his friend. It was a highfalutin document of idolatry. Fried was his idol, and Purvis gushed and gushed 151and gushed again. But the whole thing was done with truly Germanic thoroughness. I felt that I was being “got at,” and though I resented it, I was greatly amused. I led him on. I was anxious to see this gushing disciple, this seeming advertising agent, this, as it appeared to me, wholly Germanised Englishman. So I replied to him a second time, and one evening he called upon me. He was a boy of twenty-one with a beard, a manner that was intended to be ingratiating but was intolerably insolent, and a self-assurance truly Napoleonic. He tickled me hugely and, as I have more than a grain of malice in me, I opened out to him, flattered him heavily, and talked music with him. But, though he loved the flattery, he was level-headed enough to stick to his point—that I should do all in my power to secure for Oskar Fried the Hallé conductorship. And he ended the interview with the astonishing announcement that Fried had already been engaged by the Hallé Concerts Society to conduct two of their concerts.
For more thorough-going Socialism among the middle classes one must look to those strata and sections in which quickened imaginations and unsettling influences are to be found. The artist should be extraordinarily attracted by Socialism. A mind habitually directed to beauty as an end must necessarily be exceptionally awake to the ugly congestions of our contemporary civilisation, to the prolific futile production of gawky, ill-mannered, jostling new things, to the shabby profit-seeking that ousts beauty from life and poisons every enterprise of man. And not only artistic work, but the better sort of